Greetings and welcome to my blog platform which is the place that I have set aside to discuss, evaluate and provide personal insight on the media and its structure. I am a student a Full Sail University currently pursuing my Masters in Business Entertainment! Please follow me along my journey to enlighten those around me!
Friday, April 1, 2011
Distribution Issues in Independent Film
Do not be quick to give away more rights than you should. Know the costs and procedures involved in new digital delivery methods and you will be able to negotiate knowledgeably from a position of strength. Online digital distribution entities are attempting to build product libraries as assets by taking expansive rights for long periods of time. Do not accept an agreement that grants a distributor, all rights in all media worldwide. Be sure to specify if you are allowing a company to have digital, online or view-on-demand rights.
Exclusivity
It is risky to grant exclusivity. It would be safe to grant a nonexclusive online license for a limited term. This will allow the market to continue to mature and you can reassess your position after a relatively short term. Few distributors will ask for exclusive online exploitation, although some may try.
Territory
Your goal is to get the online distributor to limit the territory to the United States or a specific territory in which it is primarily doing business. The trick is that, online distributors may ask for worldwide rights.
Licensing Period/License Fee/Payment Terms/Audit
Your goal is to Keep your license period as short as possible. The license term for online exploitation depend on other rights, if any, you have previously licensed. If you have no previous exploitation, its good to try an limit the license period to 6 to 18 months so that you can reassess the online marketplace in short order.
Your goal is to negotiate an advance and royalties. You should also consider asking for stock options, and the right to purchase stock at lower than market rates. Also, specify the minimum rates to be charged for downloads and viewings.
If an advance is not possible, its good to ask for a large share of the gross revenues for downloads, streaming or other licenses (50-70% is obtainable). Also, try for a share of advertising revenues associated with viewing your product. Obtaining an advance against royalties for an online license may be difficult, because several online start-up companies claim poverty in the developing market.
Cross-Links
Your goal is to retain the right to exhibit the product on your official site, along with the right to sell merchandise, videos and DVD's of your product from your own site. To make this happen: Be sure you include a provision in your agreement that requires cross-linking of the online distributor’s site with your official website for your product or company.
These tips have helped me and I hope they help others. Today has been great, tomorrow will be even better! Until next time!
You can view the article at:
Emerging Online Distribution Issues for Independent Films « Indie Music Musings. (n.d.). Indie Music Musings. Retrieved April 1, 2011, from http://indiemusicmusings.wordpress.com/2010/03/19/emerging-online-distribution-issues-for-independent-films/
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment